It's about exploring and sharing my creative adventures (mostly sewing these days) ~
~those activities that sometimes obsess, usually inspire, occasionally frustrate
~and always provide a delightful maze to wander through.

Tuesday, October 22, 2013

Balenciaga + Ericson = CB Bolero = Win!

As I mentioned in my previous posts, I recently bought 3 patterns from Sandra Ericson of Center for Pattern Design, all inspired by Balenciaga.  I've already made up 2 of them, and the 3rd is ready for a muslin- that should give you an idea of how impressed I am with the designs!   But it's more than being impressed.  There is intrigue, puzzlement, challenge, awe, and in the end, a highly wearable piece that is as much a simple work of art as it is practical clothing!

Imho, Balenciaga +  Ericson = wearable haute couture for the masses!  OK, so not exactly haute couture technique, but you get my drift, right?  I certainly give thanks to Ms. E. for bringing his patterns to the public!

I'll start with a shot of the finished CB Bolero:


I'm delighted with the results!   The fabric is an unusual double knit of unknown content - it has almost a neoprene-like feel to it, but not really....   It was such an odd fabric that I only bought a shade over 2 yards (and that presented a major challenge fitting this pattern on it!)  Now that I've worked with it, I wish I'd bought more!  It's stable and easy to work with, and the cut edges are so clean I left the hemlines raw (something you RARELY see on anything I make!)  To see just how versatile the fabric can be (is it fair of me to rave about a fabric that is probably impossible to find anymore?  sorry......[evilgrin]), check out shams' dress (which, btw, is an entry in the Fabric Mart Challenge - visit the link  & please vote for your favorite in the contest)!  (Do I need to say out loud that my personal favorite dress was made by shams?)  ;-)  The fabric, btw,  came from Fabrix in SF, my absolute favorite discount fabric destination! 

I really thought I would end up with a casual piece, but once it started coming together I was concerned that it was going to be too dressy for me to get much wear from!  (clearly I don't get out on the town in a fancy way much).   In the end though, this is a piece that can be dressed up or down, and I WILL get a lot of wear from it!

The sizing is 8-18.  This pattern appears to run on the small side - I made a 14, but I added length by cutting it at the size 18 at the bottom.   And then I left the hem as a raw edge, so this added a total of 2-4" in the length.   I did end up cutting in the shoulders by almost 2" at the widest cut (to accommodate my narrow, sloping shoulders), but I think I would need to do this even on a smaller size.  The bias drape of the piece allows for a lot of flexibility in fit, but if you want to make it from a piece of precious fabric, I would definitely recommend a muslin.

On to the construction.   I don't know how helpful my pics & explanations will be, because the way it's put together is far more puzzling than meets the eye when looking at the pattern pieces.  Genius is what it is, imho!   To look at the finished piece, one can easily think it's just a circle with sleeves cut in.   Hah.   I HIGHLY recommend a dress form helper, and if you're like me, you'll be draping the pieces on over & over again trying to figure out exactly how it all goes together & which edges to put together for the seams, and which sides are RS and which are WS....  Of course, there are NO hints or instructions on seam finishes, or any sort of finishing tips at all.   This is stated up front - these are "'educational patterns'; that is, they are unusual and most often have some feature that is a learning experience which is the whole point in publishing them."

Note:  I don't mean to discourage anyone - sewing it all together is really quite easy, once you understand how it works.   It just took my brain on a bit of a voyage before it all made sense to me.

Construction Steps (the dry & potentially boring stuff - but if you end up making this, hopefully the following will be helpful!):
After sewing in the darts, you sew the shoulder seams (instructions say to sew the side seams as well, but since I was figuring it all out step by step [I did not muslin it],  I used slightly different steps.)
Note the folded over section at the neckline -
when I was cutting this out I thought that the CF was at the lower edge of that fold.
Wrong.
CF is on a folded part somewhere in the center of that piece!
Not obvious until you start putting it together....
Enclosed seams are advised for all of the seams.  In the following pic, note that the shoulder seam is sewn by matching the armscyes of the front and back pieces.  The extra fabric on the front will be folder over to meet the "collar", or "cape".
  

Once you attach the 'collar' (i.e., the back portion of the cape), at the shoulder seams, there can be a lot of bulk at the shoulder seams if you use a fairly thick fabric (which this is).   With a fair amount of seam trimming, it worked well though.   A thicker fabric like this will really stand away from the body; a thinner fabric would give more drape, but one of the beauties of this pattern is that many fabrics will work well with it, even sheers!




I won't even pretend that I can explain what's happening in the following pic.   I just added it to show you how confused someone (i.e., ME, can get while trying to figure out how the puzzle pieces go together!   Really, it isn't all THAT confusing, it's just that, for me, draping it on another body was a necessity to have it all fall into place!

The following pic shows the collar/cape and the front piece sewn together, after the collar has been attached at the shoulder seams, and the front piece has been folded back to meet the edge of the collar piece.

Are ya with me?

A try-on at this stage showed that the shoulder slope was  too broad on me, in no small part due to the stable thickness of the fabric.   I adjusted the seamline, bringing the back (collar) piece forward a bit, and trimmed it by over 1-1/2" at the deepest cut.

Finished Jacket, with sleeves set in, inside out:
Reminder to Self (for the Umpteenth Time):
Certain actions are OK to perform post-midnight.
Serging Set-in Sleeves is not one of those actions.
 


After the bolero was completed, I realized that it was just a tad bit fiddly/slippery, and decided that buttons were called for.   I added a button on each side of CF, and in order to keep some flexibility, decided to just use various ties as closures, so that I could mix & match whatever I want to wear it with.  A little touch of brilliance, if I do say so myself! ;-)


A few shots of the finished piece in action.  

A slightly more casual look:


Note:  The green tie here is just a cut-at-the-last-minute strip of fabric 
matching the top (a Burda T-neck).  
 I promise I won't go out in public without a more finished tie!


And a dressier option:
(Worn with The Dress, and The Trippens)  




The tie closure here is a a scrunchie hair tie
(something that has never worked on my barely-there hair, even when it was long!)

The feedback I've had from everyone who's seen this cape/bolero/jacket/thingy in person has all been very positive.   Even from people who don't normally like capes!  I expect to see a lot more versions, since I personally know half a dozen or so people who ordered it after Sandra's presentation at Artistry in Fashion.

Besides a variety of fabrics, Sandra suggests options like cutting the back a lot longer for a more elegant look.   You could also easily eliminate the sleeves for a sleeveless version.   I can see a slew of very different-looking pieces from this pattern!  I have a lot of other projects on my plate, so I don't think I'll be making another one immediately, but I'll definitely keep this in stash for another fabric to jump up & down wanting to become another CB Bolero.

How about you?  Have I convinced you that it's worth a go?

Monday, October 21, 2013

Artistry In Fashion, 2013

A report on this year's Artistry in Fashion is a little belated, but I have to say a little something anyway, because the event is SO worth knowing about!

As usual, I took my camera with, but spent all of my time schmoozing with all of the fashionistas,  sewists and creators-of-fabulosity that I kept forgetting to take any pictures.   One sign of a successful event, I say!

At least I have some after-the-fact shots of the goodies I bought.  I spent in restraint, but if $ were no object, oh my gosh is this the place to spend it!  The curated artist booths were SO rife with drool-worthy goodies, from hand-painted silks to recycled clothing,  eco-dyed fabrics, exquisite shaped hats, unusual buttons and notions, innovative jewelry, and positively gorgeous people on both sides of the vendor booths!

The featured speaker and fashion show presenter was Sandra Ericson, director of the Center for Pattern Design, and creator of a truly unique and inspirational line of patterns.   Many of her patterns were inspired by Madeleine Vionnet and Cristobal Balenciaga.  She uses a lot of bias cuts, and a minimum of pattern pieces that require as few stitching seams as possible.   Her designs are "simple" (i.e., not "fussy"), but the way many of them are put together is quite unusual (and sometimes mind-boggling!)  Despite the relative simplicity, the patterns are also designed to be "educational" - Translation:  minimal instructions, meant for the intermediate or advanced sewer. Do check out her site for a much more detailed story of her journey and philosophy.

I bought these 3 patterns (all of which just happen to be Balenciaga inspired):
I've made up the CB Bolero (post coming soon!) and it's a comfy and wearable winner.
I've also made a test version of the spiral blouse - this one is destined to be made up several times!
The Paletot is a half-scale pattern.   I've enlarged it, and can barely wait to get going on it!  (I've lusted after this coat ever since seeing it at the Balenciaga exhibit at the DeYoung a couple of years ago)

My other purchases were earrings.   I was delighted to find that one of my very favorite jewelry designers was selected as a vendor at AIF this year: Kayoko Designs.   I buy a pair of earrings from her nearly every year at the San Francisco Flower & Garden Show,  so I was thrilled to find another excuse to add to my collection of her pieces :)
Elegant Asian Simplicity - LOVE her work!
A very popular booth was A.J's EarDrops - I know at least half a dozen people who bought earrings here - too much fun!
Lightweight, unusual, affordable, and highly wearable - what's not to love???
And check out that cup holder - an innovative (and re-usable) way to display their earrings!
This year the weather was perfect, the food trucks were the best ever, the vendors (of course) were the BEST, and of course, the camaraderie of everyone there made it a memorable and fabulous event.

Mark your calendars now for next year's AIF - September 27, 2014.   Pati Palmer (yes, THE Pati Palmer of Palmer/Pletsch) will be the featured speaker!  I hope to see you there!  :)

Next up:  The results of the CB Bolero...



Sunday, October 20, 2013

Still Alive, Schmoozing with Sewists, and Even Doing some Sewing!

How wonderful it is to be living in an area that is so rife with talented and social-minded sewists!  In spite of the fact that I've spent very little time in my sewing room the past couple of months, I've been SO lucky to have such an abundance of creative groups of like-minded sewists around, and attending gatherings with them has helped to keep me inspired, and even motivated me to get some projects finished!   (Blog posts on those projects are coming up soon, I promise!)

Yesterday was a wonderful little gathering of blogging sewists (even though a few don't ...yet... have blogs - if they READ blogs, it counts!) at Erin's lovely San Francisco flat 


(Click on the names for a link to their respective blogs)
Back Row:  Veronique,   shams,  me,  Erin,  Jean, and Amanda
Front Row:  Rebecca and  Beth

The abundance of talent in this group is amazing!  As is the diversity - several people echoed the comment "I would never have the patience for that!" when seeing what someone else was doing; yet every single person here, imho, exhibits an overflow of patience in their details and particular interests.

Veronique pattern-tested a plethora of stuffed animals for a book by Abby Glassenberg - she blogged about it here.  Is this the most adorable stuffed kangaroo EVER?   and check out the tardis on that bag she made!

Shams took a break from her insanely busy life of late - if you don't know about her success in the Fabric Mart Challenge, do check out her last few posts - she's on FIRE with her creativity these days!  (yes, even more than ususal!)  Fabric Mart Challenge
Here Shams is wearing an outfit that was for one of the earlier challenges, and she's holding her studly version of the Little Black Dress challenge - I think she's been rocking every entry!

Erin is another busy bee; trying to finish up her  PhD while taking steps toward starting her own pattern line!   Here she is wearing two of her creations (I want to be a pattern tester for that skirt!  It has fabulous details that can't be seen in the pic)

Rebecca is another  pattern maker - she's making some wonderful coats - she's wearing one of her creations here:

Beth, as always, was wearing pieces that showcase her perfect technique and fit - here she's wearing a lovely dress that is the essence of Beth, and you can see the inside of her perfectly tailored denim jacket, draped over the chair.


I didn't get pics of everyone's show 'n tells, but Jean is also doing some amazing pattern-making in a class she's taking.   Her opera neck dress (a work in progress) is GAWjuss!   Amanda didn't bring anything, but a look at her blog shows some seriously wonderful quilting work!

No shots of my outfits (the bane of being the photographer), but here's some sneak peeks at what I've finished, (yes, I have been doing SOME sewing) - I promise to be blogging details asap!



Oh, one more minor detail - IT'S MY BIRTHDAY, AND I'LL SEW (and blog) IF I WANT TO!  :D

Monday, September 2, 2013

Look Ma, No Muslin!

First, heartfelt thanks and smiles to everyone who responded so graciously to my post about the burglary.   Although I had hesitated to even write the post, I'm happy that I did - it was a cathartic release for me, and every single one of your comments reached my heart - deep thanks for your understanding, caring, and thoughtful comments.   I love my readers!!!!

And now, for the post that I meant to write last Tuesday.....

The Good News (and really, it's ALL good news):

1.  I made it into the sewing room and sewed for me, me me!
2.  At the pattern-tracing level of this tshirt, I discovered that taking the Sisters Tilton Craftsy Class had an even bigger impact than I initially thought.   I realized that I had the confidence to make all the necessary fitting changes at the pattern level, even with a T-Shirt that was slightly more complex than a basic front, back and sleeves.
3.  And it worked!

This is probably a long overdue realization, but I was able to cut several steps out of the fitting process, and cut straight into my fashion fabric with enough confidence to be pretty sure of the fit - I'm thrilled with this!

After seeing several makes of Katherine Tilton's V8817 in blogland and in person, I knew this was a winner!  I made View C, which has a 3-piece front, 3-piece sleeves, and a 2-piece back.

Now really, WHY didn't I try this pose???
It just screams out to be duplicated, don't you think???


The shoulders are quite broad (especially by my narrow-shoulder standards), and any changes to the shoulder width would involve re-drafts of every single pattern piece.  I  made my fitting changes on the front by first marking the seam lines on each front piece, and layering them by matching the stitching lines, as if they were sewn.   This pic shows the upper front and middle front pieces:

I drafted a basic front, a back  and a sleeve piece (using the Craftsy Class pattern) as a TNT template.   Here's the TNT front piece laid on top of the pattern pieces from this pattern:

Next I drew new pattern pieces, using a combination of my basic TNT, and the V8817 pieces:

I cut them out pretty much as drawn (I did leave a bit extra at the side seams, since this pattern does have a pretty loose fit, but I didn't really need it.   I used the same method for the back and the sleeves.....and it worked!!!!

I did find it interesting that the pattern as drafted came very close to matching my shoulder slope, since I usually re-draw the shoulders for a more dramatic slope - someone with square shoulders might need to do more of an adjustment with this pattern.   With my new TNT concept, it's hard to say what size I actually used, but it was probably a narrowed 8 at the shoulders,  expanding through a size 10 at the rib cage,  to a  size 12 around the hips.

The only other changes I made were a slight shuffling of the suggested contrast fabric placement, but then, the Tilton patterns really are designed with that sort of shuffling to be expected.

Here's my result:



I admit that I'm not crazy about my fabric choices (although I have received a lot of compliments on it, so maybe it will grow on me), but I do think that the weight, length, and general color combos will give me opportunities to get a lot of wear out of this top.   And as far as the pattern itself, it's definitely a winner!

Here's to more easy TNT adaptations...really, I'm THIS thrilled about what feels like a giant step forward in my let's-make-fitting-easier attitude!  :)

Thursday, August 29, 2013

The Case of the Gold Flannel Pillowcase

It was not a dark and stormy night; it was a lovely, balmy, California evening, spent with a particularly delightful group of local sewing mavens....   I arrived home at about 11:00, & realized that one of my cats was not only not there to greet me, but wasn't responding to any calling.   After 15 minutes of calling & searching, he finally showed up ... OUTSIDE the front door (this is an indoors only cat most of the time - how on earth did he sneak out - was it when I left earlier that evening?).... a few moments after that I found myself staring at the empty space on the desk where my laptop usually resides, and the pieces started slowing falling into place.

Yup - we had been burglarized.
 It wasn't until the police (possibly the NICEST cop in my local police force!) showed up that I finally saw the naked pillow on my bed - the pillow that just a few hours earlier had been nicely dressed in gold flannel....and then realized that the jewelry chest on the counter nearby had indeed been rifled through.   I think in my initial shock and denial I was SURE no jewelry was missing, but then I realized that every.  single.   valuable.  piece of jewelry that had belonged to my darling Mother was gone.   All the diamond rings (from 2 marriages and her own inheritance) - gone.  Anything silver, gold, or a valuable gemstone.   Gone.     Plus a few silver and gold necklaces of mine, which I could honestly care less about.  For the next few days I kept thinking surely there's ONE ring somewhere else, just ONE piece that belonged to her.....   nope - Gone.

I'm still reeling a bit, and noticing that I'm going through various stages of loss & grief  - yesterday I finally felt the anger that made me wish I could kick the friggin' dweeb in the balls....HARD!

I know that people do this, but I'm still mystified about the fact that it actually happened to me!
Bear with me - the silly cartoons actually make me grin,
and I can use all the grins I get right now!  :D

So.....The grand plans I had of sewing, reading, and blogging during the evenings this week have been mostly taken up by sleepless nights  re-doing all of my passwords, researching a replacement computer, dealing with software & old peripheries that don't work with the new system, denial, anger, browsing craigslist and eBay in the ridiculously unlikely hope that I'll see one of her rings, or my computer....uh huh.

Sorry for dumping on blogland, but I realized that I just need to unload publicly as part of the process of release.   I usually move through trauma pretty quickly; actually, this has only been 3 days, so I guess I can cut myself a break, but it still hurts, and the  hours that are being eaten up by realizing that I need to replace my printer (a perfectly nice printer that worked just fine with my older computer - which, btw, was also working just fine!) because it's not compatible with the slightly newer computer (rolleyes), set up a whole new email system, figure out how to transfer data from the 10-year old dinosaur backup computer, hours with online support "experts" some of who, as it turns out, know less than I do....etc, etc.....well... I'm just allowing myself to bitch and dump for a bit here.   Getting ripped off sucks.

I will move through this.

Oh, one bit of good news is that I will likely get an insurance settlement that covers only a pittance of the jewelry loss, but it's enough $ to replace the computer!  Insurance companies do come through sometimes (assuming they actually will, of course).

And of course, it's only "stuff", and it really could have been much, much worse.   :)   I did lose a lot of pictures that hadn't been backed up - I'm thankful for my blog in that sense, because of the shots that are saved in Picasa - yay to web picture programs!   And hey, all that clutter-clearing of excessive files stored on the computer?   Taken care of by the universe, thank you ;-)

I feel better already.   Thanks for being there, dear readers... :)

Wednesday, August 21, 2013

Alabama Chanin!

Life is still biting me in the butt with busy-ness (it's a good thing, really... but oh to be independently wealthy and unemployed - what's that like?   Anyone?)  Which means very little sewing is actually happening, but the ideas and plans are still swirling around in my head!

I was at a gathering of sewists last weekend, and one of the women there had attended a Natalie Chanin workshop, and she was wearing a gorgeous top she had made from an Alabama Chanin kit.   I've been wanting to feel up the organic cotton jerseys Chanin eco-dyes and sells, to see if it's really as soft as the claims are.   It is!  Even better news is that I found out that A Verb for Keeping Warm, a wonderful little yarn & fabric shop in Oakland (6328 San Pablo Avenue, just a few blocks off Ashby, for the local folk) has a trunk sale of Alabama Chanin items - it's only through August 26, so zip on over there if you want to check it out!

For those who might not be familiar with  Alabama Chanin designs, Natalie Chanin, the founder, uses elaborate designs including stencils, dying, cut-outs, beading, and hand-stitching, incorporating embroidery and quilting techniques from eras past, and modernizing the looks in one-of-a-kind garments.  She is the very essence of slow sewing!

There are a couple of racks of her made clothes at A Verb - not for sale though (something about a conflict with someone else who carries her goodies).  At something like $1000 - $3000 apiece, nothing in this collection is ever going to make it into my closet,  but how wonderful to be able to touch and see up close so many of the makes from her studio!  A Verb also has some huge books with samples of the stitching and layering and beading...oh MY!   PLUS a selection of her cottons!    I managed to take a few pictures, mostly close-ups of the stitching samples from the books (these books are TREASURES - do try to check them out if you can make it!)

Lettering on a top!!!   LOVE this!
A cape, skirt, and top using various techniques









Yes, I could not resist a few pieces of the fabric.   At $24.50/yard, this is not cheap cotton, but it is oh-so-soft, and all ORGANICALLY sourced.  It's $22/yd through her website, but I'm assuming you need to add shipping, so it's probably about the same in the end.  It's the mid-weight grade, which is very sturdy - but did I mention how soft it feels?   It's also pre-washed, so you're not paying for fabric that you're going to lose through shrinkage.

Then I came home and immediately ordered Alabama Studio Sewing + Design from Amazon, which seems to be the most comprehensive of her 3 books, at least for sewists.   It should arrive tomorrow - can't wait!


Craftsy also has a class on Natalie Chanin Hand Embellishing Techniques - has anyone taken this class yet?   What did you think of it?   Her one-day workshops are in the  $400 range, which makes a $40 Craftsy class sound not so bad, eh?

I do look forward to having something I've actually sewn to share here....fabric and patterns are actually laid out in the sewing room; all I need is time and energy!   (Got some to spare?) ;-)

Until then, I dream :-)

Monday, August 12, 2013

Being Visible

The conversations at dinner the other night with shams & badmomgoodmom covered a variety of topics (3 women, 4 hours = you can imagine!), including becoming "invisible" after a "certain age" (badmom could not yet relate to this concept).

Today, for some inexplicable reason, I decided to join the group of visibly fabulous women who participate in Visible Monday, and dress a bit over the top (for me, anyway).   It's summer in San Francisco, which means the likelihood of c-o-l-d is very high, and I don't do cold well.   So I layered it on a bit thicker than usual, wearing my faux fur vest over my animal print Renfrew, and my latest Marcy pants (not blogged because I've made so many versions!):


I have two things to do today:  #1 -  go shopping at Fabrix (yes I'm going to drive into The City and that's all I'm doing - one store, one stop, one bag of fabrics (or maybe 2), and #2 - finish reading my library book (which is SUCH a great read I'm going to blog a review here - coming soon!  After a crazy busy several weeks lately, a 2-items-on-the-To-Do-List day is a most welcome event.   I guess I need to add one more - write this blog post.....Done!

Hmmm....maybe I should dress up my feet with my Trippens as well.....just because.....

Here's to visibility (in a good way) at all ages!

Saturday, August 10, 2013

When Sewists Gather....

....in my experience, it's ALWAYS a good time!   Fun, educational (we are a creative and curious lot), inspirational, and sometimes even unusual.

I've had the good fortune to meet up with other bloggers a couple of times recently - Elizabeth of SEWN and the delightful short one she lives with, and last night badmomgoodmom and Shams and I all got together.  (more about that below)

First I want to spread the word about an event coming up next month that sounds very intriguing, definitely educational, and probably a lot of fun as well!  Britex Fabrics is partnering with Laurence King Publishing/Chronicle Books to present an evening class on draping techniques, celebrating the launch of Karolyn Kiisel's upcoming book, "Draping The Complete Course".  I'm so looking forward to running my hands and eyes over this book - check out the cover, and a couple of pages of the beautiful illustrations inside - it looks quite promising:




The class will include a demonstration of how to drape Audrey Hepburn's classic "Breakfast at Tiffany's" sheath (do you really even need a photo to conjure up this image?), plus info and some materials to help us get started on our own projects.


My mother worked from patterns, but she always draped the clothes on me as she altered and fitted, and I've always loved to do that sort designing; my favorite creations often come from a draping type of inspiration!  Now that  I'm close to getting my dress form to actually match my body, I can't wait to start playing with draping on it; so the timing for this class is perfect!  I hope to see you there!  :)  The date of the class is September 19, from 7-9, at Apparel Arts; cost is $25.  (reasonable, I think!) The book will also be available at that time.

As for blogger meetups, I'm a bit late on this one, but I had a delightful brunch with Elizabeth of SEWN, and her sidekick Jack, a few weeks ago - here we are at Stonemountain (oops, did I say brunch?   Well, yes, brunch and just a bit of fabric shopping.....).   She is much braver than I in terms of exposure to our Bay Area summers - I never leave the house without layers!  Jack was being a real trooper while we shopped, and quietly sat at the pattern table with his iPad.   What a great kid!

And yesterday, I finally got to spend some quality time with badmomgoodmom.  The 5-second meeting we had at PR Weekend really didn't cut it, so after a few dozen emails and phone calls and planning and re-planning over the past few days (she aptly called the process "Space-Time Tetris" in her blog post here), we got together for some snoop shopping in Hayes Valley (Hayes Street in San Francisco - a rather fabulous area to snoop shop in - I needed an out-of-towner to show me how much the area has changed over the past 20+ years - I definitely need to go back for a deeper exploration!)

We made it into a total of 3 shops (that girl can talk up a storm with any interesting stranger on the street, I swear!) before meeting up with Shams, who also blogged about our gathering in her post here.  We spent the next 4 hours engrossed in tea and delicious food and conversation at Caffe Delle Stelle (Italian, of course, and recommended for great service and very good food, at reasonable prices).


badmom made a vociferous point about theoretical physicists not being nerdy & geeky (per Big Bang Theory, which shams and I both love and badmom hates).  When good-dad joined us for a second round of food, badmom turned into goodsexyflirtymom and proved her point quite well.   ;-D

It was a delightful evening!   The more sewing bloggers (and sewing non-bloggers) I get to spend time with, the happier I am that I re-joined the sewing world, and keep getting connected with some of the most interesting and creative people around!  Don't you agree?

Monday, August 5, 2013

It's a Hat Attack!

One of the more delightfully stylish bloggers I follow is  Judith of Style Crone (check her out!) - I think she may have started an avalanche of hat-wearing blog posts, thanks to her Hat Attack post!

Although I've been a hat lover for a long time, the dreaded "hat head" syndrome often curtailed my hat fetish.  However, I've noticed that my hair seems to be cooperating a bit more now that it's grey, short, and styled with a somewhat.... shall we say..."unkempt" look  (I can always say "It's on purpose!" no matter how wild it looks!)

A dear friend recently celebrated her birthday with a  High Tea gathering at Lovey's Tea Shoppe in Pacifica, and wearing a hat was a requirement.   I went a rather unconventional route (for high tea, that is), and showed up in my favorite black fedora - a bit beaten up, but dressed with a silver pin that used to belong to me British Mum, who always enjoyed an afternoon out for High Tea :)  By the way, if you're local, I can highly recommend Lovey's (which is the little sister of Lovejoy's in San Francisco).   Although the fare is far from my usual healthy eating habits, the quality of the ingredients was clearly very high (Strauss organic cream!), and even the white bread triangles tasted like "real" food.   And it was abundant!   I arrived with my hunger on, and couldn't possibly eat it all!

(Not what I wore to Tea, other than the hat...
I was a bit more "dressed")
 


Three of the women at the party had all been to High Tea with Mom and me in years past, so the pin, along with a necklace of hers that I wore, assured that the Mumsy was there with us. :)

This post is for you Mom, with love :)

90-something and still doing her crossword puzzles :)

Another hat - at her memorial gathering last year in my back yard :)

Hats Off to Moms and the wonder-filled connections in blogger-land!